artist bio:
Russell's work is deeply influenced by spiritual themes, integral to the creation featured in their art—whether these elements are self-crafted or inspired by external objects. Russell's artistic practice explores 'vessels' as physical embodiments of creative expression, a concept that has grown increasingly significant as their work evolves. Engaging deeply with both the material and metaphysical aspects of art, Russell transforms everyday objects into profound assemblages. Their assemblage work employs both found and handmade objects to create surrealist-inspired pieces that uncover the hidden potential in the mundane. Russell's approach emphasizes the transformation of the ordinary into its true essence, revealing layers of history, memory, and meaning within each object. Themes of nostalgia, sorrow, and sterilization of recent histories are often present, with a focus on the delicate interplay between these layers and silver elements. Their creations are imbued with a sense of timelessness, marked by growth, play, and motion—reflecting life’s perennial cycle.
Montana Russell (b. 2003, Indiana) is an emerging artist based in Chicago, IL, where they are currently pursuing their BFA in Studio Art at the Art Institute of Chicago.
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The flowers, like us, will always be dancing. Who are we to stand in the way of the flowering and the mundane process of living, playing, and dancing?
The flowers, like us, will always be dancing. Who are we to stand in the way of the flowering and the mundane process of living, playing, and dancing?
artist statement:
In my work, spirituality is a cornerstone, influencing the creation and interpretation of the organisms I depict. These forms are not just artistic expressions; they are vessels, markers of the physical and metaphysical. My artistic journey is deeply intertwined with the exploration of assemblage, using both found and handmade objects. These pieces serve as a canvas where memories and nostalgia are compressed, captured between layers that seal moments in time. Within these layers, new visuals emerge—delicate and poignant, like the dance of flowers that mirror our own existence. Through my practice, I explore the remnants of media from my childhood, repurposing these fragments into new forms. This process of transformation and revival allows me to experiment across different mediums, continually expanding my capabilities and understanding. As I navigate this journey, I am constantly reminded of the simple yet profound cycles of life and creativity—where playing, living, and dancing are not just acts, but affirmations of being.